RAFAEL ROZENDAAL. EVERYTHING, ALWAYS, EVERYWHERE



Patrick: The colors are very important in Rozendaal’s work and they look very nice in this book. The book mainly contains a lot of works, and the sections with the image essays, which pop up in the book in a continuous gradient, break through the pile with works in a good way. The typography is modest but is very well typeset and nice to read. This is a good alternation between the colorful spreads.

Birgit: I really liked browsing through the book. The work of Rozendaal has great aesthetic qualities and come to life in this book. The text and typography give a nice addition to the images.

Ruby: Great paper and the book opens beautifully. I love the way the table of contents is typeset, actually I love how the whole book is typeset. Very simple but effective. Nicely printed. Very ‘verzorgd’.

Auke: Bam! Color in your face. The artworks are really nicely reproduced. That’s not so easy to do, especially with digital work. Very refreshing book. Nicely typeset. Good sized nice margins and the tabs work well in the interview. Very clear and legible. I’m not sure about the cover. The dots and typography together become a bit blurry. The designers also noticed because they decided to take away the dots from the smaller text as it would become too illegible.



  • Auteur
    Marvin Jordan, Kodama Kanazawa, Christiane Paul, Margriet Schavemaker.
  • Oplage
    2100
  • Omvang
    320
  • Prijs
    25
  • ISBN
    978 94 92095 30 5
  • Uitgever / Opdrachtgever
    Valiz, Amsterdam
  • Ontwerper(s)
    Studio Remco van Bladel, Amsterdam (Remco van Bladel, Beau Bertens, Quentin Creuzet)
  • Drukkerij
    Die Keure, Brugge (BE)
  • Lithograaf
    Die Keure, Brugge (BE)
  • Boekbinderij
    Binderij Hexspoor, Boxtel
  • Materiaal
    Paper for interior: 90gsm Munken Polar Rough (Antalis), 80gsm Maxiscript (Igepa), 120gsm Munken Polar (Antalis). Cover: 300gsm Munken Polar (Antalis) with pearlescent matt laminate and screenprinted in black.
  • Bindwijze
    sewn Otabind with flaps
  • Lettertype
    Times New Roman (Monotype), Akzidenz Grotesk (Berthold Type Foundry), Ryumin Pro (Morisawa)
  • Technische Bijzonderheden
    interior printed in full colour using 40% dayglow ink mixed through magenta and yellow; image sections in rainbow printing with two Pantone colours; images printed using different screens in ascending gradations
  • RAFAEL ROZENDAAL. EVERYTHING, ALWAYS, EVERYWHERE

    Patrick: The colors are very important in Rozendaal’s work and they look very nice in this book. The book mainly contains a lot of works, and the sections with the image essays, which pop up in the book in a continuous gradient, break through the pile with works in a good way. The typography is modest but is very well typeset and nice to read. This is a good alternation between the colorful spreads.

    Birgit: I really liked browsing through the book. The work of Rozendaal has great aesthetic qualities and come to life in this book. The text and typography give a nice addition to the images.

    Ruby: Great paper and the book opens beautifully. I love the way the table of contents is typeset, actually I love how the whole book is typeset. Very simple but effective. Nicely printed. Very ‘verzorgd’.

    Auke: Bam! Color in your face. The artworks are really nicely reproduced. That’s not so easy to do, especially with digital work. Very refreshing book. Nicely typeset. Good sized nice margins and the tabs work well in the interview. Very clear and legible. I’m not sure about the cover. The dots and typography together become a bit blurry. The designers also noticed because they decided to take away the dots from the smaller text as it would become too illegible.

  • Auteur
    Marvin Jordan, Kodama Kanazawa, Christiane Paul, Margriet Schavemaker.
  • Oplage
    2100
  • Omvang
    320
  • Prijs
    25
  • ISBN
    978 94 92095 30 5
  • Uitgever / Opdrachtgever
    Valiz, Amsterdam
  • Ontwerper(s)
    Studio Remco van Bladel, Amsterdam (Remco van Bladel, Beau Bertens, Quentin Creuzet)
  • Drukkerij
    Die Keure, Brugge (BE)
  • Lithograaf
    Die Keure, Brugge (BE)
  • Boekbinderij
    Binderij Hexspoor, Boxtel
  • Materiaal
    Paper for interior: 90gsm Munken Polar Rough (Antalis), 80gsm Maxiscript (Igepa), 120gsm Munken Polar (Antalis). Cover: 300gsm Munken Polar (Antalis) with pearlescent matt laminate and screenprinted in black.
  • Bindwijze
    sewn Otabind with flaps
  • Lettertype
    Times New Roman (Monotype), Akzidenz Grotesk (Berthold Type Foundry), Ryumin Pro (Morisawa)
  • Technische Bijzonderheden
    interior printed in full colour using 40% dayglow ink mixed through magenta and yellow; image sections in rainbow printing with two Pantone colours; images printed using different screens in ascending gradations