It is interesting to see how this “trapezoid” perspective works aesthetically as a new way of seeing archive material within the structures of the informative grid. In the same way as the photographs deal with a new view on collected material, the decision of a classic typeface also reflects a contemporary taste. The intensive research and the dense archive that this book presents is not only visible within the huge number of images represented on the pages but also in the physical layout of the book, consisting of 488 pages.
It is interesting to see how this “trapezoid” perspective works aesthetically as a new way of seeing archive material within the structures of the informative grid. In the same way as the photographs deal with a new view on collected material, the decision of a classic typeface also reflects a contemporary taste. The intensive research and the dense archive that this book presents is not only visible within the huge number of images represented on the pages but also in the physical layout of the book, consisting of 488 pages.