The Unmanned executes well the task of organising and presenting a decade’s worth of works; stills of films overlap and interact with each other in what seems to be a flow of free associations, taking the reader through key points of Fabien Giraud’s and Raphaël Siboni’s oeuvre. The attention to detail is something that struck us when going through the book: the fact that the chapters are separated by the same leather-ish material that is used in the cover and how the text therein is printed in what appears to be silkscreen printing—which is a particularly difficult method when printing text in small sizes.
The Unmanned executes well the task of organising and presenting a decade’s worth of works; stills of films overlap and interact with each other in what seems to be a flow of free associations, taking the reader through key points of Fabien Giraud’s and Raphaël Siboni’s oeuvre. The attention to detail is something that struck us when going through the book: the fact that the chapters are separated by the same leather-ish material that is used in the cover and how the text therein is printed in what appears to be silkscreen printing—which is a particularly difficult method when printing text in small sizes.